
Covering The San Francisco Bay Area & Sacramento Valley Since 2001
Playing This Month
![]() | Anything Goes is a vibrant musical comedy set aboard the luxury ocean liner S.S. American as it sails from New York to England. The story follows Billy Crocker, a lovestruck young man who secretly stows away to pursue heiress Hope Harcourt, even though she is engaged to the very proper Lord Evelyn Oakleigh. Billy quickly finds himself wrapped up in a swirl of comic chaos involving Reno Sweeney, a sharp witted nightclub singer with a big voice, and Moonface Martin, a well meaning but bumbling gangster. Their schemes, disguises, and crossed paths spark a chain of high energy antics that keep the ship buzzing. Tap dancing sailors, glamorous showgirls, and a crowd of eccentric passengers bring nonstop movement and charm to the musical. Filled with Cole Porter classics including You’re the Top, I Get a Kick Out of You, and the unforgettable title song, the show delivers a lively mix of romance, comedy, and old fashioned spectacle. The result is a playful and stylish journey that invites the audience into a world where love, luck, and clever improvisation turn a simple voyage into something unforgettable. | ||
Coming Soon
• OPENS MAY 29, 2026 • 'night, Mother / Play ’night, Mother is a play by Marsha Norman, written in the style of an intimate psychological drama. Set over the course of a single evening inside a quiet rural home, the story follows Jessie, a woman worn down by chronic struggles, and her mother Thelma, who relies on routines to keep her world steady. When Jessie calmly announces a devastating plan for the night ahead, their conversation shifts into an emotional tug of war as Thelma searches for answers and tries to pull her daughter back toward hope. Ordinary tasks like preparing food or tidying the house become charged with meaning, revealing long buried tensions, missed chances, and the complicated tenderness between a mother and her adult child. The dialogue is sharp, human, and unsettling in its honesty, creating a sense of closeness that feels both comforting and deeply painful. Without revealing any key turns, the play builds a compelling sense of urgency and emotional intensity that invites the audience to lean in and feel every pause, every confession, and every subtle shift between two people who know each other better than anyone else, yet still struggle to truly connect. | |||
• OPENS AUGUST 21, 2026 • Fallen Angels / Play In Fallen Angels two long-time friends and married women, Julia and Jane, find themselves rattled when they learn that a former French lover they once shared is arriving in London. Their husbands are out of town on a golf trip giving the women the freedom to revisit old longings and repressed desires. As the afternoon drifts on, polite conversation gradually gives way to cocktails, champagne, and mounting tension. What starts as wistful nostalgia morphs into jealousy and confusion as the women confront not only their feelings for the man but also the quiet dissatisfaction in their marriages. Meanwhile a clever and outspoken maid named Saunders watches and comments from the sidelines, adding both levity and sharp insight. The setting is a chic 1920s London flat filled with art-deco elegance, which frames the growing chaos in genteel surroundings. With biting wit and simmering emotion, the play captures the crash between societal propriety and personal yearning while delivering laughter, longing, and a sense of what might happen when long-buried passions resurface. | |||
• OPENS OCTOBER 23, 2026 • The Lion in the Winter / Play The Lion in Winter, written by James Goldman, is a live theatre play in the genre of historical drama with sharp comedic edges woven through its dialogue. Set in the twelfth century during a tense royal holiday gathering, the story follows King Henry II as he brings together his estranged wife Eleanor of Aquitaine, their three ambitious sons, and a pair of unexpected guests. Everyone arrives with a smile that hides a scheme, and the castle quickly turns into a battlefield of words, rivalries, and shifting loyalties. The play draws its power not from sword fights or sweeping battles, but from razor sharp conversations where every remark hints at a deeper motive. Henry tries to secure his legacy, Eleanor guards her pride and influence, and their sons fight for attention in a family that treats affection like a rare luxury. Political maneuvering blends with personal wounds, creating a story that feels intimate and grand at the same time. The tension builds through witty exchanges, simmering resentment, and clever manipulation, inviting the audience into a royal household where love is complicated, trust is fragile, and every choice carries the weight of a kingdom. |













